Gallery
The Gallery brings together singular works that cannot be reproduced, each shaped by its own material process, form, and presence.
The Auspicious Sign
Inspired by the Chinese character “吉”, this sculpture transforms a traditional sign of auspiciousness into a solid, contemporary form. Its rounded golden surface recalls ancient Chinese bronze vessels, carrying a quiet sense of ritual, ...
Inspired by the Chinese character “吉”, this sculpture transforms a traditional sign of auspiciousness into a solid, contemporary form. Its rounded golden surface recalls ancient Chinese bronze vessels, carrying a quiet sense of ritual, blessing, and cultural memory.
Open spaces within the form create a balance between fullness and emptiness, allowing the work to feel both grounded and fluid. By merging the structure of a written character with the presence of a ritual vessel, the sculpture becomes a contemporary emblem of harmony, prosperity, and auspicious beginnings.
Armored Husk
Taking the peanut shell as its starting point, this sculpture transforms an ordinary, easily discarded form into something marked by weight, protection, and defensive presence. Its hollow body suggests absence and vulnerability, while raised, ...
Taking the peanut shell as its starting point, this sculpture transforms an ordinary, easily discarded form into something marked by weight, protection, and defensive presence. Its hollow body suggests absence and vulnerability, while raised, plate-like structures gather across the surface like fragments of armor.
The work considers protection not as strength alone, but as a response to fragility. The shell appears armed precisely because it is empty, turning defense into both a shield and a burden.
Through the tension between softness and hardness, protection and confinement, the sculpture reflects on the ways life builds armor in order to survive—and whether those protective structures can also begin to contain us.
Becoming Within
Before anything becomes visible, it often begins in silence.Not absent, not complete — only quietly forming. This work reflects on the hidden state of becoming: fragile, unnamed, and not yet fully formed, yet already ...
Before anything becomes visible, it often begins in silence.
Not absent, not complete — only quietly forming.
This work reflects on the hidden state of becoming: fragile, unnamed, and not yet fully formed, yet already real.
It holds the feeling of carrying change before it can be seen, of becoming before recognition arrives.
For what is unfinished, but already becoming.